So what Exactly is Non-linear Editing?
An editor can lay down separate video tracks for credits and subtitles, animated graphics and special transitions. The timeline area is organized by video and audio tracks. The left screen shows a single source video clip and the right screen shows the full project video. A typical Avid editing suite has at least two computer monitors, one which focuses on the bin and another which shows the monitor and timeline. This new system helps distribute the computing and processing load between the host computer and the hardware box, making the system run more efficiently when processing HD or effects-heavy projects. The newest Avid hardware boxes -- called Mojo DX, Nitris DX and Symphony DX -- are built with the new DX effects architecture. Although the Avid interface has a lot in common with other higher end video editing systems -- like Final Cut Pro and Adobe Premiere -- it takes serious training and lots of practice to master the system's hundreds of specialized editing and effects tools. Using video editing software like the Avid Media Composer -- or similar products like Final Cut Pro and Adobe Premiere -- the source files can be organized into clips that are pasted onto a timeline. This post has been written by G SA C ontent Generat or DEMO.
Video or film source material is digitized into media files that can be stored on a hard drive. In the timeline, the editor can select chunks of video or audio (across multiple tracks if he wants) and cut, copy or delete them with a click of the mouse. Then he can create multiple audio tracks for dialogue, music and sound effects. The hardware box also includes dozens of useful input and output connections for external digital and analog equipment, both audio and video. In the bin monitor, the editor can adjust the properties of each individual component, trimming the length of clips, adding effects, smoothing jittery video and adjusting audio levels. The hardware box (smaller than a standard desktop PC tower) works like an external video card, helping speed up the digitizing process and the rendering process (for creating visual effects and transitions). The more expensive versions of the Avid hardware allow an editor to use both standard definition (SD) and high definition (HD) video sources in the same project. Now let's look at some of the latest developments with Avid hardware and software and how they're changing the way that editors do their job.
What are all the different aspects of an Avid editing system, and what are the latest tools that are shaping the future of film and TV editing? The main advantage of editing with a non-linear system like Avid is speed and flexibility. The result is a continuously evolving system. To understand why non-linear editing with a system like Avid is so powerful and efficient, first we need to understand the differences between non-linear and linear editing. Avid has been a pioneer in the non-linear editing industry since 1989 when the fledgling Massachusetts company introduced the first version of its Media Composer software. In non-linear editing, however, the editor has the ability to edit any segment of the project in any order he wants. Videotape, unlike film, can't be physically cut into pieces and spliced together in a new order. This three-part system has been adopted by pretty much every other video editing software out there, youtube shorts from high-end products like Final Cut Pro to amateur software like Apple iMovie. For most professional film and television editors, there's no substitute for an Avid editing system. Before the editing process can begin, an assistant editor needs to take the script and match each source video clip with its associated lines.
Then he plays tape C while simultaneously recording the clip onto a master tape. Instead, the editor must dub or record each desired video clip onto a master tape. Once the clip has been added, the editor can preview how it looks with the rest of the project in the right-hand screen. The bin is where the editor stores all the different project components. Linear editing means that a project is edited and assembled in a linear fashion -- from start to finish. Read on to learn more about the different components of an Avid system and how they work together to make the editing process not only faster, but also more creative. Avid hardware's role is to make the Media Composer software run faster and for the whole system to run more efficiently. For the home user, or a professional filmmaker on a tight budget, it's possible to run a perfectly good Avid system with nothing more than the Media Composer software and a powerful desktop PC or laptop. The Media Composer interface is broken down into three basic areas: the bin, video shorts the monitor and the timeline. This means that the timeline can handle clips with wildly different specifications. Art icle has been generated with the he lp of GSA Content G enerator DE MO!
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