YouTube Creators can now get $10,000 per Month for Making Shorts
In this configuration, the spring pulls the pulley back, which rotates the drum, which pulls the cable attached to the opposite end block. The drum, in turn, is connected by a cable to the opposite end block. The cable can be moved up and down on the end block. The balance can be adjusted with a joystick mounted on the sled grip, or remotely, with a radio-control unit. But the spring system in the rest of the arm responds to the weight of the sled. Its arm can hold a 23-pound (10-kilogram) camera that allows an operator to swivel the camera smoothly. When the operator moves, the base of the arm moves as well. When a scene in a film calls for a Steadicam shot, the filmmakers will select an experienced operator based on his or her past work. Martin Scorsese, Paul Thomas Anderson and many other directors have used extremely complex Steadicam sequences to establish mood and setting. Creators have traditionally gotten paid on YouTube based on the ads that run in front of their videos, with there being a direct relationship between the number of ad views and the amount of money they receive.
The fund is “a way to get going and to actually really start to figure out” how monetization should work for creators making these videos. The company plans to pay $100 million throughout the next year, with the first payments going out this month. Reuploads and videos tagged with watermarks from other platforms - aka TikTok, Snapchat, or Reels - will disqualify a channel for payments. But if you place your finger anywhere else along the broomstick, gravity will pull more on one side than the other, and the broom will fall over. In the modern Steadicam, the arrangement is a little more elaborate, but it serves the same function. In the same way, video shorts a camera attached to one of the end pieces keeps pointing in roughly the same direction. The gripping "Beach at Dunkirk" scene in the 2007 film "Atonement," was shot in one take with a Steadicam. Since their introduction in 1976, Steadicams and other camera stabilization systems have become one of the most important tools in the filmmaking and sports' world.
Steadicams, of course, aren't the only camera stabilization systems out there. “Our goal there is to give every creator a voice,” Mohan said on Decoder. “If the creator wants to do that through a two-hour documentary about a particular topic they’re passionate about, then YouTube should be the place for that. Or, heck, he or she may hop on a Segway traveling at a good clip, dismount, sprint up a ramp and then do a 360 around the point of interest (see the related YouTube video here). It's so easy to pivot the camera that even a light push in any direction can translate to a considerable jump in the film or video image. When you hold an object precisely at its center of gravity, you can lift the object straight up because the downward pull of gravity is equal in all directions. The Shorts Fund will eventually be replaced with a “long-term, scalable monetization program,” Neal Mohan, YouTube’s chief product officer, said on today’s episode of Decoder. Th is conte nt has been done with the help of GSA Content Generato r DE MO .
YouTube will pay creators up to $10,000 per month for making popular videos on its TikTok competitor, YouTube Shorts. The popularity needed to earn money will depend on just how many people are making and watching Shorts each month, and payouts will also depend on where each creator’s audience is located. Mohan indicated that YouTube wouldn’t require creators to use Shorts in order to boost their overall engagement on the platform. Though TikTok has a huge head start, YouTube is, at the end of the day, YouTube - an enormous and hugely popular video platform - which could give it an edge as it tries to spin up Shorts. Sorrel, Charlie. "SteadyCam Pro Irons Out iPhone Video Wobbles in Real Time." Wired. TikTok and Snapchat both pay out to creators based on the popularity of their videos, rather than based on ads. But with Shorts, YouTube doesn’t want to run an ad in front of every quick clip, so it’s building out this alternate form of payment to reward creators. The result is potentially lucrative for creators, though there’s less transparency on how much creators may earn any given month.
Post a Comment for "YouTube Creators can now get $10,000 per Month for Making Shorts"